Although not possible with the real physical chambers, UA’s digital “beyond physics” Decay control allows these naturally occurring decay times to be reduced as desired, down to a minimum of approximately a half second. The two chambers naturally provide a maximum reverberation time of approximately 3 to 4 seconds for full decay. Each chamber’s construction, shape, volume, and speaker/microphone arrangements contribute to a unique sonic response. The Hitsville Reverb Chambers plug-in contains two different chambers: Chamber 1 (2648) and Chamber 2 (2644). The ambience of the room is captured with the microphone(s), then the mic’s wet signal is mixed with the original dry signal to create the final blended dry+wet sound. To add ambience to an audio signal, the audio engineer sends audio signals to the loudspeaker(s) in the room. The chamber is simply an ambient space, such as a reflective room, that contains loudspeakers and microphones. Reverb ChambersĪ reverb chamber was the first technique used for adding controlled ambience to a recording. The Hitsville Reverb Chambers plug-in is used to add ambience to existing sources just as you would with other reverb processors and methodologies. Hitsville Reverb Chambers is sonically superior in terms of overall model accuracy and dynamic customization. Instead, Hitsville Reverb Chambers utilizes Universal Audio’s breakthrough hybrid technologies, combining expertly sampled impulse responses with advanced algorithmic DSP techniques. Hitsville Reverb Chambers is neither a general impulse response (IR) convolution reverb nor a typical algorithmic reverb. For details about how to operate the specific controls, see Hitsville Reverb Chambers Controls later in this article. Underlying concepts for Hitsville Reverb Chambers are presented in this section. Hitsville Reverb Chamber 2, attic at 2644 West Grand Boulevard Operational Overview Hitsville Reverb Chamber 1, attic at 2648 West Grand Boulevard Available for UAD-2 DSP and native UADx.Artist presets from Grammy-Award winning artists and engineers.Design guidance from Hitsville’s engineering alumnus John Windt.Explore new sounds by repositioning Hitsville Reverb Chamber’s mics using UA’s Dynamic Room Modeling.Customize your reverbs quickly with simple hi/lo crossover, width, depth, and mix controls.End-to-end emulation of two of Hitsville’s historic reverb chambers, derived from Hitsville’s famous converted attics.Exclusively licensed and authenticated by Hitsville U.S.A.Go far beyond retro and get genre-defying ambience by moving the chamber mics in realtime for presence and detail beyond the original hit-making positions. Reposition Mics with Dynamic Room Modeling Quickly get jaw-dropping reverb effects using Hitsville Reverb Chambers easy-to-use controls, including distinct speaker and mic selections in each chamber, to make your vocals, handclaps, tambourines, and triangles soar. By completely capturing their distinct character - with help from the original Motown engineers who built them - you can put yourself inside these legendary spaces. The two reverb chambers built into Hitsville’s attics were essential to Motown’s exciting sound. Reposition mics in realtime using UA’s Dynamic Room Modeling.Add iconic reverb to vocals, drums, and more quickly with simple controls.Dial in rich-sounding ambience using two different custom-built chambers.Get instant “Motown Sound” from the attic reverb chambers above Hitsville Studios officially licensed by the legendary Hitsville U.S.A.*Use of artist names does not constitute official endorsement of Hitsville Reverb Chambers software. Hitsville Reverb Chambers gives you the glorious sound of the attic reverb chambers that shaped the Motown Sound.Īvailable only from Universal Audio, Hitsville Reverb Chambers gives your recordings the soulful ambience of these hallowed spaces, as used by the producers of Marvin Gay, Stevie Wonder, and The Supremes.* Historical Background and Technical Development.
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